Oscar-winning makeup artist John Caglione, Jr. revisited the stages of making The Dark Knight the Crown Prince of Crime.
July 18, 2020 marks the 12th anniversary of Dark Knight:
Happy Anniversary to #TheDarkKnight Not only one of the greatest films of all time… not only still relevant to the current times.. but also, imo, was carried by THE greatest acting performance of all time. We were robbed of more amazement but damn… what a legacy. #RIP pic.twitter.com/thNv350pro
— GoldBlooded (@whodatdaddy) July 18, 2020
July 18, 2020, marks the 12th anniversary of the release of The Dark Knight. In honor of that occasion, we have republished this piece from the film’s 10th anniversary.
On the occasion of the 10th anniversary of The Dark Knight. We spoke with makeup artist John Caglione, Jr. Who nominated for an Academy Award for his work in The Dark Knight with Connor O’Sullivan?
Caglione had previously won the Oscar for her makeup over Dick Tracy in 1991. So he turned to The Dark Knight. But when it came to introducing a new version of Joker, the makeup artist quickly realized. That he would cross into some new and uncomfortable areas.
When the movie was released:
When The Dark Knight was released in the US on July 18, 2008. It was immediately apparent that not only was director Christopher Nolan instigating the superhero movie.
Genre to get closer to high art, but a classic character on one Iconic Tech had also emerged. Endeavor: Heather Ledger’s dark, scary, and more realistic Batman-age nemesis, the Joker.
When Caglione joined the production:
The makeup designer’s initial meetings were with actor, director, and costume designer Lindy Hemming. After which Caglione made five or six color sketches with green hair as an overlay of laser-headed headshots entirely, covering a variety of clowns.
There was makeup, scars and so on. It followed by some makeup tests with the Laser in London, but as the process continued. It became clear that Caglione had to give up her artist’s instinct to fix everything.
Part of the characters “doing it by himself” aspect involves the question of those stains on either side of this clown’s face. Certainly. The film itself leaves the question of where the scars came to be interpreted in the open, unaware of Joker’s ever-changing origins.
Not surprisingly, Laser himself was heavily involved in making up with Nolan and Caglione. He was perfect for his clown ensemble and broken look.